I’ve recently discovered the art of photographic split-toning. A complete 180 from the rich oversaturated colors of HDR, split toning tends to mute colors nearly completely into one or two color tones. I’ve been playing with warm orange-yellow highlights and cold green-blue darks, much like the cold weather and warm insides of of a NYC winter. The tricky part is balancing out the color levels; the contrast tends to be much more subdued, and my color vision is weak in the green-blues. In fact, I’m feeling a good portion of the processing of this out by numbers and theory, so please let me know if how it looks to you.
